BILL LASWELL
Over the course of some three decades, visionary bassist-producer Bill Laswell has been one of the most prolific and restlessly creative forces in contemporary music. A sound conceptualist who has always been a step ahead of the curve, he has put his inimitable stamp on nearly 3,000 recording projects by such artists as Mick Jagger, Yoko Ono, Iggy Pop, Laurie Anderson, Brian Eno, Bootsy Collins, Nine Inch Nails, Motorhead, Peter Gabriel, Blur, The Ramones, George Clinton, Pharaoh Sanders, The Dalai Lama, Matisyahu, Angelique Kidjo, DJ Krush, RAMM:ΣLL:ZΣΣ, Sting, The Last Poets, Afrika Bambaataa, Julian Schnabel, Whitney Houston, Manu Dibango, Fela Kuti and most notably Herbie Hancock, who collaborated with Laswell for the pivotal 1983 smash-hit single "Rock-It" which introduced scratching to the mainstream, inspired a generation of turntablists and gave the great jazz pianist instant street credibility among the burgeoning hip-hop cognoscenti. ...
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BILL LASWELL
Over the course of some three decades, visionary bassist-producer Bill Laswell has been one of the most prolific and restlessly creative forces in contemporary music. A sound conceptualist who has always been a step ahead of the curve, he has put his inimitable stamp on nearly 3,000 recording projects by such artists as Mick Jagger, Yoko Ono, Iggy Pop, Laurie Anderson, Brian Eno, Bootsy Collins, Nine Inch Nails, Motorhead, Peter Gabriel, Blur, The Ramones, George Clinton, Pharaoh Sanders, The Dalai Lama, Matisyahu, Angelique Kidjo, DJ Krush, RAMM:ΣLL:ZΣΣ, Sting, The Last Poets, Afrika Bambaataa, Julian Schnabel, Whitney Houston, Manu Dibango, Fela Kuti and most notably Herbie Hancock, who collaborated with Laswell for the pivotal 1983 smash-hit single "Rock-It" which introduced scratching to the mainstream, inspired a generation of turntablists and gave the great jazz pianist instant street credibility among the burgeoning hip-hop cognoscenti.
Laswell's sense of creative daring as a producer was further demonstrated on several recordings that have kept him on the cutting edge, including Afrika Bambaataa's collaboration with John Lydon (aka Johnny Rotten of Sex Pistols fame) on World Destruction and PiL's Album (which brought together an unlikely pairing of drumming greats Ginger Baker and Tony Williams, synth-pop pioneer Ryuichi Sakamoto of Yellow Magic Orchestra fame and rising guitar star Steve Vai). His spoken word collaborations with William S. Burroughs and expatriate writer-composer Paul Bowles have gone against the grain of music industry trends while his radical remixes (or re-constructions) of landmark recordings by Miles Davis (Panthalassa), Carlos Santana (Divine Light), Bob Marley (Dreams of Freedom) and a vast scan of dub-related and atmospheric ambient projects have gone on to further defined Laswell’s presence as a revolutionary ikonoklast.
Bill Laswell has helped in generating several innovative recording labels such as Celluloid, Subharmonic, Black Arc, and Innerhythmic. Along with Chris Blackwell, founder of Island Records (Bob Marley and U2), he established the AXIOM label in 1989. M.O.D. Technologies, his most recent imprint is releasing projects by Method Of Defiance, Lee "Scratch" Perry, PRAXIS, Garrison Hawk with Sly & Robbie, Bernie Worrell, The Process (with Red Hot Chili Peppers' drummer Chad Smith and pianist Jon Baptiste) and progressive/futuristic music from Ethiopia (CDs/DVDs).
Master Musicians of Jajouka
Master Musicians of Jajouka is a group led by Bachir Attar, from the village of Jajouka near Ksar-el-Kebir in the Ahl Srif mountains in the southern Rif Mountains of northern Morocco.
Jajouka is an ancient village perched above a long valley in the blue Djebala foothills of the Rif Mountains in Northern Morocco, home to the Master Musicians of Jajouka as well as the Sanctuary of Saint Sidi Ahmed Sheikh, who was a Muslim missionary, teacher of Moulay Abdesalem "The Patron Saint of Morocco", and whose spiritual energy is closely tied with the village and its music. Most people who live in Jajouka are members of the Ahl Sherif tribe, which means "the Saintly." The Attar clan of Jajouka is the founding family of the village and keepers of one of the oldest surviving musical traditions. The music and secrets of Jajouka have been passed down through generations from father to son, by some accounts for as long as 4000 years. The musicians of Jajouka are taught from early childhood a complex music which is unique to Jajouka. After many years of dedicated training, the musicians finally become Malims or Masters. They possess baraka, the blessing of Allah, which gives them the power to heal, and the endurance required to play some of the most intense and complex music around.
For centuries, the Master Musicians of Jajouka were employed by the Kingdom of Morocco as the royal musicians of the sultans. They had special papers detailing their rights as privileged citizens which allowed them to remain the royal musicians for many rulers - even through French, English and up to Spanish colonization. Throughout that time, the Master Musicians would still continue to play in and around Jajouka at weddings, Moussems (local music festivals centered around a saint), and for holidays such as the Aid El Kebir. Supported locally by farmers throughout the Djebala, the musicians were allowed to take an annual tithe from their crops, a privilege they held until the early twentieth century.
The first recordings by the Master Musicians of Jajouka who were led by Bachir Attar’s father, Hadj Abdessalem Attar, included recordings with Brian Jones (Brian Jones Presents the Pipes of Pan at Jajouka, 1971 AFM/1995 Point Music), Joel Rubiner (The Master Musicians of Jajouka, Adelphi), and Ornette Coleman (Dancing in Your Head).
Led today by Bachir Attar, these are the Master Musicians of Jajouka recognized by the Kingdom of Morocco. The younger generation of our legendary group recorded under the names "Master Musicians of Jajouka" and "Master Musicians of Jajouka Featuring Bachir Attar" with The Rolling Stones (Steel Wheels, 1989), Bill Laswell (Apocalypse Across the Sky, Axiom Records, 1992), Tchad Blake (Jajouka Between the Mountains, WOMAD/Real World Records, 1996), Talvin Singh (The Master Musicians of Jajouka Featuring Bachir Attar, Point Music, 2000), Lee Ranaldo (Crossing Border Fest, The Hague, 2003), Bernardo Bertolucci (The Sheltering Sky film soundtrack), Nicholas Roeg (Bad Timing film soundtrack), and others.
Bachir Attar has recorded with artists such as Elliott Sharp, Maceo Parker, Ginger Baker and Deborah Harry. The Master Musicians of Jajouka and Bachir have also toured with the artists Ornette Coleman, Steve Lacy and Critters Buggin.
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